《皆归尘土》是对我们脆弱而勇敢的存在的赞颂。索伦·韦纳赫特试图将舞蹈、喜剧、叙事和戏剧融为一体，来探索：人生最终会发生什么？尽管死亡是我们每个人都必须面对的结局，但谈论它却往往是禁忌——这使得人们思考死亡时，只能在孤独中承受悲伤。通过所爱之人的葬礼进行一系列充满激情的重演，并想象自己的葬礼，索伦试图为我们每个人创造一个更好的空间来面对死亡、逝去与失去。

《皆归尘土》是一场发自内心的探索，探讨了我们所拥有的各种死亡仪式——那些我们已经失去的以及需要重新发明的仪式——以充满欢乐的方式将我们聚集在一起，探索舞蹈在治愈中的作用。

After All is a celebration of our vulnerable and courageous existence. Solène Weinachter melds dance, comedy, storytelling and theatre to ask: what happens in the end? Although death comes to all of us, talking about it is often a taboo that can leave people isolated in their grief. Through a series of impassioned re-enactments of the funerals of those she’s loved—as well as imagining her own—Solène attempts to conjure a better sort of space for all of us to be in with death, dying and loss.

After All is a heartfelt exploration of the various death rituals we have—the ones we’ve lost and those that need inventing—joyously bringing us together to explore the role that dancing might play in healing.

《皆归尘土》是一场脆弱和勇敢的庆典，是对死亡仪式的深度探索，一部精致、富有想象力、喜剧性和深思熟虑的对死亡的沉思。它也是对生命的肯定——在冒险、幽默和快乐中继续前进。

After All is a celebration of both vulnerability and courage, a deep exploration of death rituals, and a delicate, imaginative, comedic, yet deeply reflective meditation on mortality. It is also a powerful affirmation of life—moving forward through adventure, humor, and joy.